| 634 lines hidden |
| | | <glacius:metadata> |
| | | <title>Sources of Light</title> |
| | | <description>Details about my 2024 album "Sources of Light"</description> |
| | | <visibility>private</visibility> |
| | | <category>Music</category> |
| | | <category>Music recording</category> |
| | | <category>Music transcription</category> |
| | | <category>Guitar</category> |
| | | <category>Acoustic guitar</category> |
| | | </glacius:metadata> |
| | | |
| | | <p> |
| | | I recorded <a href="https://music.tmont.com/?album=Sources+of+Light">an album</a> |
| | | called <em>Sources of Light</em>, released in October 2024. I started recording it |
| | | <glacius:date value="2023-07-30" /> and finished <glacius:date value="2024-09-02" />. Here are |
| | | some probably fairly boring details about the recording process, gear and music. |
| | | </p> |
| | | |
| | | <h2>Gear</h2> |
| | | <ul> |
| | | <li> |
| | | Electric guitars: <a href="https://www.kieselguitars.com/series/guitar/dc">Kiesel DC6</a> |
| | | </li> |
| | | <li> |
| | | Acoustic guitars: |
| | | <a href="https://www.martinguitar.com/guitars/standard-series/10D18.html">Martin D-18</a> |
| | | </li> |
| | | <li> |
| | | Keyboards: |
| | | <a href="https://en.wikipedia.org/wiki/Yamaha_Motif#First_genenation:_MOTIF_Classic"> |
| | | Yamaha Motif 8 |
| | | </a> |
| | | that I've had since 2003 |
| | | </li> |
| | | <li> |
| | | Interface: |
| | | <a href="https://us.focusrite.com/products/scarlett-4i4-3rd-gen"> |
| | | Focusrite Scarlett 4i4 (3rd gen) |
| | | </a> |
| | | <ul> |
| | | <li> |
| | | One caveat was that since I was also using a laptop the USB interface would |
| | | not work properly without a powered USB hub, which was a bit annoying. |
| | | </li> |
| | | </ul> |
| | | </li> |
| | | <li> |
| | | Effects & amp modeling: |
| | | <a href="https://line6.com/podgo/">Line 6 POD Go</a> |
| | | </li> |
| | | <li> |
| | | Bass: |
| | | <a href="https://www.fender.com/en-US/electric-basses/precision-bass/">Fender Precision</a> |
| | | w/ broken bridge, can't be bothered |
| | | </li> |
| | | <li> |
| | | Microphone (for vocals and acoustic guitar): |
| | | <a href="https://www.audio-technica.com/en-us/at2035">Audio-Technica AT2035</a> |
| | | </li> |
| | | </ul> |
| | | |
| | | <h2>Software</h2> |
| | | <ul> |
| | | <li><a href="https://ubuntustudio.org/">Ubuntu Studio 22.04</a></li> |
| | | <li>DAW: <a href="https://ardour.org/">Ardour v6</a></li> |
| | | <li>Effects: <a href="https://calf-studio-gear.org/">Calf Studio Gear</a> (mostly)</li> |
| | | <li> |
| | | Sound and audio management: <a href="https://qjackctl.sourceforge.io/">QjackCtl</a> and |
| | | <a href="https://jackaudio.org/">Jack</a> |
| | | </li> |
| | | <li>Drum programming: <a href="http://hydrogen-music.org/">Hydrogen v1.1.1</a></li> |
| | | </ul> |
| | | |
| | | <p> |
| | | Of note: I did not use Line 6's software to load any IRs, but not for lack of trying. |
| | | Line 6 does not support Linux and I absolutely could not get the USB interface to do the |
| | | right things through my Windows 7 VM. |
| | | </p> |
| | | |
| | | <h2>Recording process</h2> |
| | | |
| | | <p> |
| | | For all recordings, I used <a href="https://ardour.org/">Ardour v6</a> on |
| | | <a href="https://ubuntustudio.org/">Ubuntu Studio</a>. Almost all of the production effects |
| | | were from <a href="https://calf-studio-gear.org/">Calf Studio Gear</a> plugins. |
| | | </p> |
| | | |
| | | <p> |
| | | Since I'm on Linux, I used <a href="https://qjackctl.sourceforge.io/">QjackCtl</a> to |
| | | manage audio connections. It mostly worked without a hitch. Since I basically left |
| | | Ardour open for a year straight, it would seem to crash occasionally, and then Jack |
| | | would get all weird and I couldn't open connections to it. A reboot fixed all problems, |
| | | like always. |
| | | </p> |
| | | |
| | | <p> |
| | | All guitar effects, pre-amps and modeling was from a Line 6 Go stomp box. I recorded directly |
| | | into a Scarlett USB audio interface (no external cab). For acoustic guitars and vocals, |
| | | I plugged the microphone directly into the interface's XLR input. |
| | | </p> |
| | | |
| | | <p> |
| | | Minimal automated effects were used, except delay/reverb for vocal tracks, and a few |
| | | weird things like the ring modulator at the end of <em>The Haunted House</em>, or the |
| | | very first synth chord in <em>Calling Out a Name</em>. Fader automation was used |
| | | extensively. |
| | | </p> |
| | | |
| | | <p> |
| | | All rhythym/clean guitars were doubled, one panned hard left (90/10) |
| | | and the other hard right (10/90). Lead vocals |
| | | were also doubled in the same way. Acoustic guitars were also |
| | | doubled and panned<glacius:cite>The two other guitars in the acoustic guitar "trio" at |
| | | the end of <em>Without You</em> were not doubled</glacius:cite><glacius:cite>The |
| | | acoustic guitar solo in <em>Fair-weather Friend</em> and subsequent leads were |
| | | also not doubled</glacius:cite>. |
| | | This hardcore doubling was a bit of an experiment. I think I liked |
| | | it, even though it made recording take quite a bit longer. |
| | | </p> |
| | | |
| | | <p> |
| | | To handle all the track doubling during the mixing phase, I created |
| | | <a href="https://manual.ardour.org/ardours-interface/busses-mixer-strips/">audio buses</a> |
| | | in Ardour and redirected the outputs of the doubled tracks to the bus, and then redirected |
| | | the bus output to the master track. All automation was then only done on the buses; the |
| | | doubled tracks were not touched except to set the panning. So there were a lot more |
| | | tracks/buses to handle in Ardour than otherwise. Basically every instrument that I doubled |
| | | would actually have three "tracks" in the DAW interface instead of just one. Which was |
| | | obnoxious but I think it made a difference in the resultant mix. At least to me. |
| | | </p> |
| | | |
| | | <p> |
| | | Drums were programmed using <a href="http://hydrogen-music.org/">Hydrogen v1.1.1</a> with the |
| | | <a href="http://hydro.smoors.de/Flac_GSCW-1.h2drumkit">FLAC GSCW-1 drumkit</a>. |
| | | I did very little to the drums except increasing the gain of the kick, snare and hi-hat. |
| | | Otherwise I did absolutely nothing to them production-wise. Largely out of pure laziness. |
| | | And also because over-produced drums annoy me. |
| | | </p> |
| | | |
| | | <p> |
| | | In all cases I recorded all instruments, one at a time, from start to finish. Then the |
| | | vocals, then I would do a rough mix, then program the drums, then finish mixing and any |
| | | other post-production effects (that was pretty rare, though). |
| | | </p> |
| | | |
| | | <h2>Tracks</h2> |
| | | <h3>Calling Out a Name</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Calling+Out+a+Name"> |
| | | Listen - 8:23 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | This has no specific inspiration, except maybe some kind of Metallica, or other |
| | | semi-thrash metal type of thing. I just wanted something "heavier" and faster |
| | | as an opener. |
| | | </p> |
| | | |
| | | <p> |
| | | The solo was inspired by that one rad part in |
| | | <a href="https://en.wikipedia.org/wiki/Reb_Beach">Reb Beach</a>'s |
| | | solo in <a href="https://youtu.be/Irc5j1gkihY?t=138">Seventeen</a>. |
| | | Everybody likes Winger, right? Maybe I still had some Winger stuck in my brain from |
| | | my cover of the |
| | | <glacius:link page="music/projects/easy-come-easy-go-solo">solo from <em>Easy Come |
| | | Easy Go</em></glacius:link> a few years back during my |
| | | <glacius:link series="2022 music project">2022 music projects</glacius:link>. |
| | | </p> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2023-07-30" /></td> |
| | | <td><glacius:date value="2023-08-08" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Keyboards</td> |
| | | <td><glacius:date value="2023-08-09" /></td> |
| | | <td><glacius:date value="2023-08-09" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2023-08-10" /></td> |
| | | <td><glacius:date value="2023-08-12" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2023-08-13" /></td> |
| | | <td><glacius:date value="2023-08-23" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums/mixing</td> |
| | | <td><glacius:date value="2023-08-24" /></td> |
| | | <td><glacius:date value="2023-09-06" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h4>DAW stats</h4> |
| | | |
| | | |
| | | <h3>Waiting for the Stars to Fall</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Waiting+for+the+Stars+to+Fall"> |
| | | Listen - 12:33 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | This song is basically half overly-gratuitous instrumental sections. But I think |
| | | they sound cool, so I guess it's okay. There are two separate piano solos, and the |
| | | first third and the last third of the song are separated by a four minute |
| | | instrumental. And it ends with a one-minute piano solo. A bit eccentric, perhaps. |
| | | </p> |
| | | |
| | | <p> |
| | | This was inspired by twice over by |
| | | <a href="https://www.davidmaximmicic.com/">David Maxim Micic</a>. He at |
| | | one point was in a band <small>(horribly)</small> named |
| | | <a href="https://sordidpink.bandcamp.com/album/lun">Destiny Potato</a> with |
| | | Aleksandra Radosavljevic (although she later left), who later formed a duo |
| | | with <a href="https://www.arsafesproductions.com/">Roman Arsafes</a> called |
| | | <a href="https://abovetheearth.bandcamp.com/music">Above the Earth</a>. They wrote |
| | | a song called <a href="https://www.youtube.com/watch?v=PHNfSE8HOYQ">Trapeze</a> |
| | | that was pretty neat, and the intro rhythm (begins at 0:27) was just something that |
| | | was stuck in my head and I ripped it off for <em>Waiting for the Stars to Fall</em>. |
| | | </p> |
| | | |
| | | <p> |
| | | David Maxim Micic has a solo album called |
| | | <a href="https://davidmaximmicic.bandcamp.com/album/bilo-iii">BILO III</a> |
| | | which has a track called <em>Daydreamers</em> which has the lyric (also sung by |
| | | the aforementioned Aleksandra Radosavljevic): |
| | | </p> |
| | | |
| | | <blockquote> |
| | | Looking at stars,<br /> |
| | | Waiting for them to fall |
| | | </blockquote> |
| | | |
| | | <p> |
| | | Which I thought was pretty cool, so I wrote a song entirely around that line. |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p>Some other random notes/trivia:</p> |
| | | |
| | | <ul> |
| | | <li> |
| | | I accidentally ripped off the last bar from the last bar of Guns 'N Roses' |
| | | <a href="https://en.wikipedia.org/wiki/Think_About_You_(Guns_N%27_Roses_song)">Think |
| | | About You</a> from <em>Appetite for Destruction</em>. I say accidentally because I |
| | | didn't realize that little arpeggio was from something else until I randomly |
| | | listened to that album again and then the recognition hit. But by then it was |
| | | too late. Alas. |
| | | </li> |
| | | <li> |
| | | I got sick recording the vocals which is why it took so long to record them. |
| | | I basically spent two weeks not recording. Eventually I got fed up with waiting |
| | | and just went ahead even though my voice was still a bit scratchy. |
| | | </li> |
| | | <li> |
| | | The guitar interlude which starts at 6:30 required me spending about five days |
| | | honing my technique since I couldn't really play the riffs I had written. |
| | | Eventually I got barely good enough to play them up to tempo. |
| | | </li> |
| | | </ul> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2023-11-24" /></td> |
| | | <td><glacius:date value="2023-12-12" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2023-12-12" /></td> |
| | | <td><glacius:date value="2023-12-16" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Keyboards</td> |
| | | <td><glacius:date value="2023-12-16" /></td> |
| | | <td><glacius:date value="2023-12-19" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2023-12-20" /></td> |
| | | <td><glacius:date value="2024-01-24" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2024-01-25" /></td> |
| | | <td><glacius:date value="2024-01-30" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2024-01-31" /></td> |
| | | <td><glacius:date value="2024-02-02" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>Shine</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Shine">Listen - 4:38</a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | Inspired (in mood and tempo) by |
| | | <a href="https://www.youtube.com/watch?v=kfMdT-NSFU0">Dance With Me!</a> by |
| | | <a href="https://nospun.bandcamp.com/music">Nospūn</a>. I was listening to a |
| | | great deal of their debut album <em>Opus</em> at the time and I wanted to write |
| | | something more uptempo. Certainly <em>Dance With Me!</em>'s little piano riff |
| | | at the beginning is analagous the clean guitar riff in <em>Shine</em>. |
| | | </p> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2024-08-23" /></td> |
| | | <td><glacius:date value="2024-08-27" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2024-08-27" /></td> |
| | | <td><glacius:date value="2024-08-28" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Keyboards</td> |
| | | <td><glacius:date value="2024-08-28" /></td> |
| | | <td><glacius:date value="2024-08-28" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2024-08-28" /></td> |
| | | <td><glacius:date value="2024-08-30" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2024-08-30" /></td> |
| | | <td><glacius:date value="2024-08-31" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2024-09-01" /></td> |
| | | <td><glacius:date value="2024-09-02" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>Castles in the Sky</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Castles+in+the+Sky"> |
| | | Listen - 6:33 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <blockquote> |
| | | <p style="text-align: center; text-shadow: 1px 1px 1px black"> |
| | | I look up to the Heavens<br /> |
| | | to see the stars live and die<br /> |
| | | while sitting on lonely thrones<br /> |
| | | in their castles in the sky<br /> |
| | | </p> |
| | | </blockquote> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | This was inspired by <a href="https://www.instagram.com/jkui/">Jason Kui</a>'s |
| | | song <a href="https://youtu.be/C1SHFUhsmHQ?t=190">The Creator/The Destroyer</a>, |
| | | specifically the part at 3:12. I thought that riff was totally rad and I liked |
| | | the i-V progression. |
| | | </p> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2024-03-06" /></td> |
| | | <td><glacius:date value="2024-03-16" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2024-03-17" /></td> |
| | | <td><glacius:date value="2024-03-18" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Keyboards</td> |
| | | <td><glacius:date value="2024-03-19" /></td> |
| | | <td><glacius:date value="2024-03-19" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2024-03-19" /></td> |
| | | <td><glacius:date value="2024-03-20" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2024-03-30" /></td> |
| | | <td><glacius:date value="2024-03-21" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>The Haunted House</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=The+Haunted+House"> |
| | | Listen - 6:00 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | I wanted a song with less riffs and more "strumming". I partially succeeded. |
| | | </p> |
| | | |
| | | <p> |
| | | Just like <em>Waiting for the Stars to Fall</em>, this was inspired by a single |
| | | line from another song. Specifically, Audioslave's |
| | | <a href="https://www.youtube.com/watch?v=0XVCc5zwPlU">Gasoline</a>. The very first lines |
| | | are: |
| | | </p> |
| | | |
| | | <blockquote> |
| | | House is haunted<br /> |
| | | I just want to go for a ride |
| | | </blockquote> |
| | | |
| | | <p> |
| | | The first three words are where the similarities end, though. |
| | | </p> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2023-09-21" /></td> |
| | | <td><glacius:date value="2023-09-28" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2023-09-28" /></td> |
| | | <td><glacius:date value="2023-09-28" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2023-09-30" /></td> |
| | | <td><glacius:date value="2023-10-11" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2023-10-11" /></td> |
| | | <td><glacius:date value="2023-10-15" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2023-10-16" /></td> |
| | | <td><glacius:date value="2023-10-20" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>Fair-weather Friend</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Fair-weather+Friend"> |
| | | Listen - 4:36 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Acoustic guitars</td> |
| | | <td><glacius:date value="2023-11-01" /></td> |
| | | <td><glacius:date value="2023-11-01" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2023-11-02" /></td> |
| | | <td><glacius:date value="2023-11-03" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2023-11-04" /></td> |
| | | <td><glacius:date value="2023-11-04" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2023-11-05" /></td> |
| | | <td><glacius:date value="2023-11-10" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2023-11-10" /></td> |
| | | <td><glacius:date value="2023-11-10" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2023-11-11" /></td> |
| | | <td><glacius:date value="2023-11-12" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>Still Alive</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Still+Alive"> |
| | | Listen - 8:07 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | Every album needs a ballad, and I'm not particularly fond of ballads, so this is as |
| | | ballad-ish as this album gets. It's slow, in a minor key and in 3. Therefore it's a |
| | | ballad. |
| | | </p> |
| | | |
| | | <p> |
| | | The structure of this song was loosely inspired by Breaking Benjamin's |
| | | <a href="https://www.youtube.com/watch?v=iuoZjolHHFU">Forget It</a> |
| | | from <em>We Are Not Alone</em>. Which is kind of a forgettable song |
| | | (how very titular), but it has a structure which I thought was kind of neat. |
| | | Each verse is in a different key, a half-step higher than the previous. |
| | | <em>Still Alive</em> does a similar thing, the verses are in |
| | | F♯m, F♯m, G♯m, B♭m, Bm, Em, F♯m. Not quite |
| | | as monotonically increasing as <em>Forget It</em>, but it kind of starts |
| | | that way. |
| | | </p> |
| | | |
| | | <p> |
| | | I'm particularly proud of the pinch harmonic in the early part of the solo. I worked |
| | | hard on that. And that's not even a joke. A couple takes were ruined because I |
| | | didn't pinch good enough. |
| | | </p> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Guitars/Keyboard/Bass</td> |
| | | <td><glacius:date value="2024-04-10" /></td> |
| | | <td><glacius:date value="2024-04-21" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2024-04-22" /></td> |
| | | <td><glacius:date value="2024-04-27" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2024-04-27" /></td> |
| | | <td><glacius:date value="2024-04-28" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2024-04-29" /></td> |
| | | <td><glacius:date value="2024-05-01" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |
| | | <h3>Without You</h3> |
| | | |
| | | <p> |
| | | <a href="https://music.tmont.com/?album=Sources+of+Light&track=Without+You"> |
| | | Listen - 16:02 |
| | | </a> |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | This evolved out of a keyboard riff I wrote in 2018. The first 16 bars of this |
| | | song. Originally it was a little slower (around 120 BPM) but the notes were |
| | | sixteenths instead of eighths. But I couldn't play it that fast on the guitar, |
| | | and I couldn't come up with anything else besides that riff at that tempo, so |
| | | I left it alone for six years or so. Eventually it turned into this. |
| | | </p> |
| | | |
| | | <p> |
| | | Originally it was just called "A♭ thing". I don't have the original version |
| | | from before I rewrote it in its enharmonic equivalent, though, so we'll just have |
| | | to deal with all the ♯'s. |
| | | </p> |
| | | |
| | | <glacius:figure glacius:src="without-you-original.png" type="image"> |
| | | <caption>The origins of "Without You" from <glacius:date value="2018-05-08" /></caption> |
| | | </glacius:figure> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | The guitar solo is actually doubled by the keyboards. This song was weird |
| | | because it originally came from an idea on keyboard, and then it was all |
| | | completely guitar-driven, and then I decided to take a mildly awkward |
| | | guitar solo and play it on the keyboard, which extraordinarily awkward. |
| | | Figuring out the fingering was the hardest part. |
| | | </p> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | I decided to do an acoustic guitar "trio" near the end, that revisited |
| | | verse 1's vocal melody (verse 4's, too, I guess). I think it ended up sounding |
| | | pretty neat. Here it is isolated. Three guitars, with the main melody |
| | | doubled and panned L+R. |
| | | </p> |
| | | |
| | | <glacius:figure glacius:src="without-you-acoustic-excerpt.ogg" type="audio"> |
| | | <caption>Isoloated acoustic guitar trio, from 14:36-15:00</caption> |
| | | </glacius:figure> |
| | | |
| | | <hr /> |
| | | |
| | | <p> |
| | | The ending of the song was initially a <em>TBD</em> situation. The piano arpeggios |
| | | were always meant to be there, but I worried it was just a little too gratuitious. |
| | | And I was not wrong about that, but I chose to ignore my own trepidation. |
| | | </p> |
| | | |
| | | <p> |
| | | Here's the original transcription of the ending: |
| | | </p> |
| | | |
| | | <glacius:figure glacius:src="without-you-end-original.png" type="image"> |
| | | <caption>Original transcribed ending of "Without You"</caption> |
| | | </glacius:figure> |
| | | |
| | | <h4>Timing</h4> |
| | | <table class="table" style="max-width: 600px"> |
| | | <thead> |
| 43 lines hidden |
| | | <th>Instrument</th> |
| | | <th>Start</th> |
| | | <th>End</th> |
| | | </thead> |
| | | <tbody> |
| | | <tr> |
| | | <td>Electric guitars</td> |
| | | <td><glacius:date value="2024-05-23" /></td> |
| | | <td><glacius:date value="2024-06-23" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Acoustic guitars</td> |
| | | <td><glacius:date value="2024-06-23" /></td> |
| | | <td><glacius:date value="2024-06-27" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Bass</td> |
| | | <td><glacius:date value="2024-06-27" /></td> |
| | | <td><glacius:date value="2024-06-30" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Keyboards</td> |
| | | <td><glacius:date value="2024-07-01" /></td> |
| | | <td><glacius:date value="2024-07-05" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Vocals</td> |
| | | <td><glacius:date value="2024-07-06" /></td> |
| | | <td><glacius:date value="2024-07-31" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Mixing</td> |
| | | <td><glacius:date value="2024-08-01" /></td> |
| | | <td><glacius:date value="2024-08-05" /></td> |
| | | </tr> |
| | | <tr> |
| | | <td>Drums</td> |
| | | <td><glacius:date value="2024-08-05" /></td> |
| | | <td><glacius:date value="2024-08-11" /></td> |
| | | </tr> |
| | | </tbody> |
| | | </table> |
| | | |